策展論述 藝術家在現實社會中的處境,對我而言是一種浮游不定的狀態。用精神分析理論來解釋藝術家創作的過程,意指將本我(id)中激動翻滾的慾望,藉由昇華(Sublimation)作用經過自我(ego)意識突圍而出,他們從外在環境尋獲新刺激,交給敏感細膩的內在世界一層一層不斷轉化後,才能產出迷人的符號密碼。藝術家們必須不斷在現實與內心來回穿梭,在社會洪流中維持個人浮游,醞釀力量在夾縫找到自我定位,進行一場溫柔的抵抗。 創作者對於個人處境的知覺,完全表露於創作,將不定的浮游狀態固著於作品上,其中不乏社會與自身的衝撞。田名璋對於人為僵化制度的倦怠,透過暫時逃離日常生活融入自然,依循野性的呼喚找回自我存在,而作品本身則是一種行為影像的概念。香港雨傘革命發生時,身處異鄉的龔正荇,藉由創作表達對故鄉遠距離的關切,畫面中暗藏的小木頭人,代替她彌補無法親身參與香港公民運動的遺憾,看似親密確有無能為力的淺層焦慮。李瑜芳受到海洋教育的啓發,作品中充滿對於海洋生物的悼念,美麗之下隱藏著對生命的憐憫,盼望人類意識到對於鯨豚的傷害後能產生同理心。林哲志的雙胞胎系列,思索生命中無限可能性的焦慮,雙胞胎有著先天相似的基因結構,但有可能因為遭遇不同的社會歷練而各自發展成不同的樣貌,反應自身對於創作或生命探索的苦悶,視作品為宣洩出口。黃祈霖的創作是對於觀眾觀看自身作品的印象,透過自己反思觀看,微型嘲諷觀眾的反應。在花蓮的許多獨處時間裡,王詠翔看清了許多物件所發酵出的情感氛圍,透過裝置手法再現出來。 一群來自花蓮的藝術創作者,因為地緣關係,對於自我與環境的衝擊有著更敏銳的洞察力,他們訴說著不同的故事,但都聚焦在一種浮游情感之上,一種情感的狀態,透過藝術,積極展現。 Curation Concept
The artist's situation in the real world is a floating state for me. The use of psychoanalytic theory to explain the artist's creative process means that the desire to thrill in the id is exiled by sublimation through the ego consciousness and they find new things from the external environment. Stimulation, to the sensitive and delicate inner world, is gradually converted layer by layer to produce a charming symbolic code. Artists must constantly shuttle back and forth between reality and the heart, maintain individual floats in the flood of society, brewing power to find self-positioning in the cracks, and perform a gentle resistance. The creator's perception of the individual's situation is fully revealed in the creation, and the indefinable floating state is fixed on the work, among which there is no lack of social and self-impact. Tian Mingji’s burnout of the artificially rigid system, through the temporary escape from daily life into nature, followed the call of the wild to recover the existence of the self, and the work itself is a concept of behavioral images. When the Hong Kong Umbrella Revolution took place, Gong Zhengyu, who was living in a strange land, expressed his concern about the long distance of his hometown through his creations. The hidden little woodman on the screen replaced her regret of not being able to personally participate in the Hong Kong Citizens’ Movement. It seemed that intimacy was incompetent. Tier anxiety. Li Yufang was inspired by marine education. His works are full of thoughts of marine life. Under the beauty, there is a pity for life. He hopes that human beings will realize empathy when they are harmed by whales and dolphins. Lin Zhezhi’s twin series, thinking about the infinite possibilities of anxiety in life, the twins have a genetic structure that is innately similar, but may develop different appearances due to different social experiences and reflect their own angst for creation or life exploration. Depending on the work, it is exported. Huang Chin-lin's creation is an impression of the audience watching their own work. Through self-reflection and watching, the miniature taunts the audience's reaction. In many independent time in Hualien, Wang Xixiang saw the emotional atmosphere that many objects fermented and reappeared through installation methods. A group of artistic creators from Hualien, because of their geographical relationships, have a keen insight into the impact of the self and the environment. They tell different stories, but all focus on a floating emotion, an emotional state, through art, Actively show.
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